Baron Jean-Baptiste Regnault Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
cjr
Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
cyf Painting ID:: 85350
Baron Jean-Baptiste Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
cyf
The judgement of paris 1820(1820)
Medium oil on canvas
cjr Painting ID:: 89554
Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.